Australia's media and telecommunications industries were this week showing further positive signs of enthusiasm for broadband that has, to date, only been evident among the country's near regional trading partners and competitors.
Australia's most senior IT bureaucrat has flagged the digital divide as one of the government's key concerns.
Part three: While debates regarding digital equipment and editing software rage, there is one technology the film and television industry has embraced wholeheartedly; optical fibre.
For all its publicised benefits, why is iTV still having such a hard time making it in Australia?
Post-election adrenaline surging through his veins, one of the first acts performed by new Communications Minister Stephen Conroy was to disband the expert panel that his predecessor Helen Coonan had appointed last June to evaluate tenders for fibre-to-the-node (FTTN) construction.
Watching the latest, hilarious stage in the Jimmy Kimmel-Matt Damon "feud" -- which racked up 2.5 million YouTube views in one day -- I was struck by a thought: who in the world is paying for all this bandwidth?
As expected, Senator Stephen Conroy -- who made a career out of picking holes in the actions of his predecessor Helen Coonan -- was named to Kevin Rudd's front bench, bearing the interesting new title of Minister for Broadband, Communications and the Digital Economy (BCDE).
Well, here we are. After years of bluster, measured progress and loads of annoyance, Australia's broadband users head to the polls on Saturday with a score to settle.
If there ever were concrete evidence that Labor is blowing smoke up the proverbials of the Australian population, it came earlier this month as Senator Stephen Conroy, the man charged with promoting Labor's fibre-everywhere policy while simultaneously taking potshots at his counterpart Senator Helen Coonan, put his foot squarely in his mouth.
Philadelphia CIO, Dianah Neff, on the fight for affordable broadband.
For all its publicised benefits, why is iTV still having such a hard time making it in Australia?
Since last November when iiNet very loudly launched its naked DSL product, "naked" has been on everybody's lips, and it seemed like everybody was in on it. Some, however have held out. This round-up of 13 ISPs looks into who's got it, who doesn't and who wants to.
At the "NECXT life" product showcase in Sydney, NEC gave us the chance to explore a "day in the a life of NEC". Our photo gallery reveals that such a day involves digital signs, VoIP, LCDs, waterproof notebooks and CCTV.
An analysis by representatives of Australia's two largest IT industry groups shows that neither political party in the federal election has come up with a comprehensive policy around technology.
For all its publicised benefits, why is iTV still having such a hard time making it in Australia?
NetComm have offered a small scale DSLAM designed for hotels, serviced apartments or serviced offices. We found it to be a very robust device which is easy to deploy and manage.
Thousands of SMEs are expected to move to DSL broadband by the end of the year. ZDNet Australia examines the industry and shows how to navigate this competitive and confusing market.
An international standards body will try again next week to settle on an industrywide blueprint for UWB, or ultrawideband, a wireless technology meant to rival Bluetooth.
As cameras and software become more inexpensive and capable, those of us expecting smooth, full-screen conferencing will be disappointed by the current technology. Why does it have to be that way?
Visa CIO touts new transaction technologies
Michael Dreyer, CIO of Visa, expresses what innovation means to him in different areas, such as their PayWave … Watch it now
Australian Govt funds IT start-ups
Google should come clean on datacentres
US shows what OPEL could have been
Broadband speedtest
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Superguide: Printers -- all you need to know
Looking to buy a printer? Our superguide rates the latest printers and shines a light into the industry.
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Storage and server superguide
Over the last decade the art of maintaining the datacentre of a large organisation has evolved into an art form.
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