5-megapixel shootout: Design
While all the cameras sport a compact form factor and arguably stylish design, each has its own merit and drawbacks. For instance, the Canon G5 is slightly bigger than the rest of the group (at least 13mm longer and a negligible 0.9mm taller) but the extra real estate did not translate to better grip. Most of the extra space can be attributed to the G5's controls which are well-labeled and provide easy access to most of the camera's functions.The Coolpix 5400 had the most comfortable and natural handle because of the extra large rubber handgrip bestowed upon it by Nikon. However, with the slightly smaller size, the tilt-and-swivel LCD screen has also decreased in size to a rather small 1.5-inch.
The Sony V1 arrives with the most petite dimensions at an impressive 99 x 65 x 57mm. Even with the more compressed body, the V1 feels comfortable in the hands and is easier to hold and handle than the G5. There are compromises, though. Regrettably, the Sony is the only one in the shootout with a fixed LCD, which limits flexibility in taking shots either overhead or below the belt. This Sony makes up for the shortcoming by hitting the scales at just 300g, minimizing handshake due to a lighter weight.
All the shooters come clad in a metal shell except for Nikon's offering. Even so, all have exceptional build quality, giving them a sturdy feel.
For cameras that offer professional features, the button and dial placements are important. We're delighted to say all the units have done fairly well in this aspect--some better than others--though we did feel the Nikon caused a little more hassle to get to some of the commonly used options.
Verdict: All said, these semi-pro units have their advantages and disadvantages. In the end, we liked the portability and usability the V1 provides. The G5 earns second place with its quick and easy access to shooting settings.
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