Music industry, Sharman face off in Australia

The largest copyright infringement case in Australian history began yesterday as Sydney-based Sharman Networks and other "respondents" involved with peer-to-peer software Kazaa faced 30 record company "applicants" from Australia, North America and Europe.

"Not only do the respondents know that their 100 million users are infringing the applicants’ sound recording copyright, they proclaim it loudly to anyone who cares to listen… It is a badge of honor for the respondents. They paint themselves as the defenders of the interests of fans of music," declared the labels’ lead barrister, Tony Bannon, during his opening address in the Federal Court in Sydney.

"It is a charade," he added. "[Their] motives are not altruistic. On the contrary, the respondents trade off the copyright infringing activities of its users. [They] promote themselves to advertisers as having access to a vast audience. The vast audience only exists because of the rampant copyright infringing activity. The respondents describe themselves as leveraging off their user base".

The labels hope to stop illegal P2P file sharing and to recover compensation for past infringements, says Michael Speck, general manager of the Music Industry Piracy Investigations unit of the Australian Record Industry Association.

The suit targets Sharman; LEF Interactive; Altnet, which delivers so-called "piggyback" technology with Kazaa; Altnet-affiliated Brilliant Digital Entertainment; Sharman chief executive officer Nicola Hemming; Altnet chief executive officer Kevin Bermeister; and two technology directors.

Bannon told the court that Brilliant -- the parent company of Altnet -- and Consumer Empowerment BV -- which later changed its name to Kazaa BV -- entered into a technology bundle license agreement in 2001. Kazaa BV and Sharman Networks Limited then entered into a license agreement in 2002, which stated that Kazaa BV had agreed to sell its business to Sharman.

Unlike the suit pending against Sharman and LEF in U.S. District Court in Los Angeles for secondary copyright infringement, this action widens the potential net around Kazaa-affiliated companies and individuals by asserting additional claims for misrepresentation to the public, unconscionable conduct and civil conspiracy to inflict harm.

The music and technology industries are watching this case closely, many to learn what will be revealed in the evidence seized during the February 6 surprise raids on the tech companies, their key executives, universities and several Internet service providers.

Of particular interest is the bundling of Altnet software with Kazaa and whether it shows that the tech companies can control file-sharing and, therefore, prevent users from infringing copyrights; whether the tech companies promote unlawful sharing to sell advertisements; the profits made by Sharman, Altnet and Brilliant; and the true owners of Sharman.

If not subject to a protective order in Australia, this evidence could be used by the labels, motion-picture studios, songwriters and publishers in their U.S. case against Sharman, says attorney Michael Elkin, national chair, commercial litigation for Thelen Reid & Priest in New York.

During his address, Bannon quoted extensively from documents discovered during the pre-trial process.

"There is a ready inference that Mr. Bermeister is in fact the ultimate controller of Sharman. In answers to [pre-trial requests], Ms. Hemming states that the controllers of the company are certain companies in Vanuatu. However, an examination of those companies reveals that they are nominee companies and a trust, the only named beneficiary of which is the International Red Cross. Although Ms. Hemming enjoys the title of CEO and is intimately involved in all decisions of Sharman, internal company documents record that she is CEO in name only without authority to bind the company as such. Ms. Hemming told the press that there were private individual investors behind Sharman. In answers to [discovery requests] ordered by this court, she said that in truth there were no investors and that she was only trying to make the company appear to be substantial," Bannon asserted.

"What we do know is that Sharman was established for the sole purpose of working with Altnet, a company controlled by Mr. Bermeister, he approached her about it and before that occurred Ms. Hemming was working for Mr. Bermeister in another of his ventures, Segaworld. The ready inference is that Mr. Bermeister is the controller of Sharman," he added.

Over 50 lawyers are involved in this case before Justice Murray Wilcox. Counsel for Sharman Networks will present its opening address tomorrow (Nov. 30). The trial is expected to last for three weeks.

Additional reporting by Kristyn Maslog-Levis, ZDNet Australia.

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Talkback 7 comments

  1. As has been said frequently, there is no difference between Kazza and Xerox in that both provide a tool which may be improperly used to infringe copyright. Both products have been improved for their legitimate users. The difference is that the Anonymous -- 29/11/04

    As has been said frequently, there is no difference between Kazza and Xerox in that both provide a tool which may be improperly used to infringe copyright.
    Both products have been improved for their legitimate users.
    The difference is that the "robber barons" of the music industry and the movie industry are seeing their engorged profit lines threatened.
    If justice is done these greedy corporations will be sent packing, else we will see Xerox having to fork over for all the possible infringrements of copyright by users of its technology.
    But then the "law' is not about probity, it is a game played by a nepotistic fraternity which has little or no regard for fact or truth, only who is the better debater.

  2. Well perhaps it is time for the music industry to get of its high horse, and provide what consumers want. As I understand it the musician and writer of a song get less then a dollar out of the $30 we have to pay for a CD. Most would be happy to pay for do Anonymous -- 29/11/04

    Well perhaps it is time for the music industry to get of its high horse, and provide what consumers want. As I understand it the musician and writer of a song get less then a dollar out of the $30 we have to pay for a CD. Most would be happy to pay for downloading a song, but not at $3. Technology has provided a way in which the listener can choose their own QUALITY music. as with any other service consumers will refuse to spend top $ for what is essentially very poor 'music' shows like IDOL are the root cause.
    So let me reitterate, the music industry will have to change drasticcally. Chasing so-called copyright breachers is like closing the gate after the horse has bolted.

  3. You're kidding yourself Geoff. Everyone knows that Kazaa has the power to filter out copyright material and they have made consistent improvements to Kazaa in every regard except efforts to stop copyright infringement. If there were no copyright Anonymous -- 30/11/04

    You're kidding yourself Geoff.

    Everyone knows that Kazaa has the power to filter out copyright material and they have made consistent improvements to Kazaa in every regard except efforts to stop copyright infringement. If there were no copyright infringements occuring with the use of Kazaa, Kazaa would have died long ago.

    I also do not understand why people blame the record companies. If you do not like the way the record companies do business - don't buy their product - it's simple. Don't criticise them and steal their product instead - you wouldn't do that at your local supermarket or your bank so don't rip off music just because it is easier. In addition to being illegal, such behaviour is hypocritical.

    People stick up for Kazaa because they want music and movies to continue to be free; yet at the same time they expect to be paid for their intellectual property when they turn up to work everyday. It doesn't make sense.

    If people stand back and look at this issue from a reasonable person's perspective it is plainly obvious that the owners of Kazaa are knowingly and deliberatley making millions of dollars from enabling and encouraging the unauthorised use of other people property. Kazaa have the power to stop this but refuse to. Kazaa are a pack of crooks. I hope they get what they deserve. If people don't like the actions of major record companies - speak with your wallet and don't buy their music. Simple.

  4. Kazaa is a fantastic tool to promote new bands and new songs and new talent. I am a musician who has been ripped off by the record industry for that last 30 years. The record industry only cares about being able to make as much money as possible from Anonymous -- 30/11/04

    Kazaa is a fantastic tool to promote new bands and new songs and new talent.
    I am a musician who has been ripped off by the record industry for that last 30 years. The record industry only cares about being able to make as much money as possible from musicians and nothing else. Kazaa has been a godsend in allowing me to promote my songs and my lyrics. I should decide if there are any copyright infringements for people downloading my material and not the scum sucking music industry.

  5. Burn Burn Burn, Boycot the old "Exploit the Artist" business model of the fat cats that still think this is the 80s! DO NOT GIVE Feed The Old system, don't pay them a cent! Let them come crashing down, do not feed the middle men who h Anonymous -- 30/11/04

    Burn Burn Burn, Boycot the old "Exploit the Artist" business model of the fat cats that still think this is the 80s!

    DO NOT GIVE Feed The Old system, don't pay them a cent! Let them come crashing down, do not feed the middle men who have hijacked our culture.

    Power to the artists! Music wants to be free from Corporate greed!

    You don't have to wave a flag, just realise that when they sing the old "You are Stealing from from the Artist" tune, they don't tell you that they have been raping artists for the last 40 years with criminal music contracts, Out of every $30 spent on a CD not even one cent goes to the artist!

    The old music business model has passed it's use by date, by ridding our selves of the old system, we can allow artists to collect directly from their own work.

    You pay less, the artist gets more, & the sleazy middle man goes for therapy.

  6. Hey Soothsayer, sooth me with an answer, who pays your wage? If I believed everything you said, I would be wearing pink glasses while I praising the Big Record labels for their ability to exploit artists so succesfuly. I smell a corpor Anonymous -- 30/11/04

    Hey Soothsayer, sooth me with an answer, who pays your wage?

    If I believed everything you said, I would be wearing pink glasses while I praising the Big Record labels for their ability to exploit artists so succesfuly.

    I smell a corporate rat on this board.

  7. Here Here Ricardo!! Anonymous -- 04/12/04

    Here Here Ricardo!!

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