AU music bodies fight over CD copying proposals

The music industry in Australia has split over whether controversial elements of the Copyright Act should be changed and a levy imposed on recordable compact discs.

At the heart of the issue is the fact that it is illegal to make personal copies of legally bought CDs in Australia, a situation which 81 percent of music industry respondents to a recent survey thought should be changed.

The Australasian Performing Right Association (APRA) and the Australian Music Publishers Association Ltd (AMPAL) have both come out in support of the idea that the Copyright Act 1968 should be changed to give consumers the right to copy legally-purchased CDs for their private purposes, and to institute a levy on blank CDs that would be distributed back to music creators and copyright owners as compensation. The Australian Recording Industry Association (ARIA) opposes the move.

"Even music industry professionals recognise there is a need to extend private copying rights. It's time to do away with the fiction that private copying is unlawful and doesn't occur, and to support the payment of a built-in royalty through a blank CD levy," said Brett Cottle, the chief executive officer of APRA.

The lobbying process has already begun, with Phil Tripp, managing partner of Immedia - which conducted the survey - already having sent e-mails to all parliamentarians, ministers and the arts ministers of the various states.

"We've instituted a campaign within the music industry this morning to give their views to the government following our lead," Tripp told ZDNet Australia  . He said the two proposals needed to be considered together, rather than separately.

"They should be linked because when you make a change to the copyright act you should compensate the people who are affected by it," said Tripp.

ARIA is opposed to the proposal, which Tripp said was unsurprising as some of its members manufactured blank CDs.

"[Changing the Copyright Act and imposing a levy on blank CDs] is not a position we support," Stephen Peach, the chief executive officer of of ARIA told ZDNet Australia  . "There are better and more sophisticated ways to ensure people are compensated". Peach said the proposal would be difficult to administer in terms of deciding who to distribute the money to -- although several organisations, including APRA, undertake similar activities already.

Peach also pointed out the levy would have to be imposed across a broad range of media, as copies could be made on many forms of digital technology. He also added that a levy of a few cents wouldn't compensate for the investment of the record companies in new talent.

Peach sees promise in the "next-generation" of copy-control technology, such as the ability of files from Apple iTunes to be copied a set number of times. BMG also recently released a new type of CD that could be copied a set number of times, and that feature is included in the price of the CD, according to Peach.

However, he could give no indication of when this technology would be available in Australia, claiming it was a decision for individual companies.

Phil Tripp pointed out that a blank CD levy had been imposed in other countries, including Switzerland, Canada and the US. "You haven't seen howls from other countries that have a levy on blank CDs," he said.

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Talkback 8 comments

    Your article creates the false ...michael speck -- 21/11/03

    Your article creates the false impression that the survey referred to was a significant one. It was answered anonymously and randomly by some 200 poeople, at a Sydeny conference from a possible cohort of around 600. In any event the conclsuion that seems to be arrived at is that if a lot of people break the law then we should repeal the law or reward the breakers of that law by jumping on board and getting a share of the loot does not make any sense when applied to any other form of property.

    Of course it is OK to repeal a ...Anonymous -- 21/11/03

    Of course it is OK to repeal a law if a lot of people break the law. That is part of the way democracy works. If a lot of people are breaking a law then the chances are that it is not a good law.

    I am not talking about legalising full-scale piracy, but merely accepting a practice that already taks place and harms nobody. Copying a CD and giving it to a 3rd party should remain illegal

    If I copy a track from a CD I have purchased onto a compilation CD so that I can listen to it in the car, who loses out? I am just saving myself the inconvenience of carrying 13 CDs each containing one track that I would like to hear.

    The claims of billions of dollars in lost revenue from the music industry seem to be based on the obviously false assumption that every person who copies music would have purchased the CD if they had been unable to copy it.

    The success of services such as the Apple iTunes music store shows that people are willing to purchase music if you make it available in a form they want for a fair price.

    I refuse to pay any levy to th ...MrDamage -- 23/11/03

    I refuse to pay any levy to the music industry when i buy blank CD's. I use CD's for data, not music, so why the hell should i have to pay extra to some third party mob?

    Secondly, if i do use the blank cd for music, its to copy a cd to play in the car. CD's can be damaged by the heat of the car sitting in the sun too long, and as such i refuse to buy another copy of my music because the format supplied is intolerable to everyday condiftions.

    Whats next? The RIAA/MPAA imposing a levy on RAM or HDD's because they can be used in the piracy of IP??

    My first thought on the topic ...Anonymous -- 23/11/03

    My first thought on the topic is "Is music the only thing I want to copy with my cd-r?" -- answer: Hell no. I hardly copy any music... most of my cd-rs go towards system backups, etc... which is most likely what most people use a good chunk of their cd-rs for.

    I'm sure a 'levy' will help the poor artists... just like the ansett levy helped all the jobless ansett workers... bah. Any extra money that the consumer forks out will end up in either the government's, or administration's pockets.

    I use a very large number of b ...Anonymous -- 24/11/03

    I use a very large number of blank CDs each week for backups, not one has ever been used for music. I do rip all my CDs to my HDD so I can listen to them whilst working, and one day I may get an MP3 player to take music with me, but I do not copy music. The only people I know that make music CDs pirate the content in the first place. So levying them is really condoning the piracy and accepting a few cents per album.

    Doesn't sound too clever to me.

    That's right Jorg, do as the m ...Anonymous -- 25/11/03

    That's right Jorg, do as the music industry does, only use the surveys and statistics when it supports them, and when it doesn't just critise them.

    When music is sold, it should ...Anonymous -- 22/01/05

    When music is sold, it should be accepted that a certain amount of copying is actually advertising. For every song of a new artist I have downloaded that I liked (paid for or not), I have ended up buying CD's of their works.

    Anyone who was to be found distributing a song to numbers of people on a scale considered "commercial distribution" (ie: in large numbers or charging money for it) should have to pay royalties to APRA. This is similar to how radio stations work; they can broadcast the music they buy once, but they have to pay royalties to APRA, which is distributed to artists (and their recording companies).

    A system like this would recognise the value to the music industry of people sharing music in low volume and on casual basis (for example if CD's could be copied unlimited times, but copies could not be copied. That emulates the effect of recording from LP to c****ette where a recording from a recording is significantly lower quality and so naturally limited the amount of copying that went on). It would refresh and invigorate music sales, because people will get copies of the stuff they know they like for free, leaving them resources to investigate new music which they have to pay for because no-one has a copy yet. It transfers investment into new artists, isn't this what the record companies want?

    Yes you critics will jump up and say it will drastically affect music sales downwards, but did that happen with the introduction of the personal c****ette recorder? No, it infact strengthened and enhanced the music industry. It drastically expanded the market of people who would actively BUY music, EVEN THOUGH IT COULD BE USED TO COPY MUSIC FROM RECORDS! The exact same thing can happen with digital music, if only the recording industry get over their fear of losing profits, they will open their eyes to the goldmine of consumers out there who are HUNGRY for music.

    Feed them ARIA!

    He He. ZDNet picked the middl ...Anonymous -- 22/01/05

    He He. ZDNet picked the middle of my incorrect spelling of casette as a swear word and blotted it out. Sorry guys, I was not swearing at anyone, promise!!

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